{"id":3768,"date":"2021-06-01T16:44:56","date_gmt":"2021-06-01T20:44:56","guid":{"rendered":"https:\/\/www.regardshybrides.com\/deformation-of-bodies-and-reinvention-of-sensations\/"},"modified":"2021-06-02T11:53:59","modified_gmt":"2021-06-02T15:53:59","slug":"deformation-of-bodies-and-reinvention-of-sensations","status":"publish","type":"post","link":"https:\/\/www.regardshybrides.com\/en\/deformation-of-bodies-and-reinvention-of-sensations\/","title":{"rendered":"Deformation of bodies and reinvention of sensations"},"content":{"rendered":"\t\t
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\"Filming the Sensation\" seminar<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Invited by Anatoli Vlassov, Priscilla Guy will be part of the Filming the Sensation<\/em> webinar organized by the Cinema team of the ACTE Institute (Sorbonne School of the Arts). She will present the segment \u201cDeformation of bodies and reinvention of sensations through choreographic editing practices<\/em>\u201d. Don’t miss it Thursday, June 3 at 11:00 a.m. – Montreal time (5:00 p.m. – Paris time).<\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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General presentation<\/span>
\nFilming the sensation is to be understood in a broad sense.
\nFilming concerns photography as well as cinema, video and other new technologies, starting with the Internet.<\/p>\n

Can we film the sensation? Can one, by some process, print on the support chosen for an audiovisual recording impressions perceived by the organs of the senses and the psychological
\nstates which follow? This question supposedly calls for philosophical, psychological, psychoanalytical, etc. points of view, which consider the sensation in its seat, the human body.<\/p>\n

But it can also be examined from a semiotic, cognitivist, \u201ctextual\u201d analysis perspective, etc., in order to evaluate the capacity of this or that medium to capture and\/or diffuse sensation. It is
\nrelevant to look for attestations or traces of the involvement of sensations in the visual and audiovisual works themselves, whether they are fictional or documentary. The audiovisual
\ndocuments that reproduce performances, claiming more or less the status of work, activating more or less the creative interaction between the performance and its filming, constitute particularly notable objects with regard to this problematic.<\/p>\n

It is also a question of bringing together the poietic and aesthetic perspectives, the making and the sensibility (according to Paul Val\u00e9ry’s irreplaceable distinction) by asking in which way the
\npoietics of the audiovisual productions captures and\/or modifies the sensation. This aesthetic question extends also in what Edmond Couchot called the technesthesics: the techniques of
\nreproduction and the new technologies influence the sensibility by transforming the captured sensations according to the specific technological conditions that define them.<\/p>\n

One can, finally, understand the sensational in \u201csensation\u201d, something that attracts the attention, that stimulates admiration or amazement, by its exceptional character, something that
\nmakes sensation. One can play then in the in-between which connects or separates the small affections of the senses and the remarkable events.<\/p>\n

Full program<\/span><\/p>\n

Thursday, May 27 (5 p.m. – 7 p.m.)
\nFederico Pierotti. Filming color: the chromatic turn in cinema<\/em><\/p>\n

Thursday, June 3 (5 p.m. to 7 p.m. – Paris time)
\nPriscilla Guy. Deformation of bodies and reinvention of sensations through choreographic editing practices<\/em><\/p>\n

Thursday, June 10 (5 p.m. to 7 p.m. – Paris time)
\nRodolphe Olc\u00e8se. Dynamics of sensation: visual alterations and epiphany of the visible (Jonas Mekas, Rose Lowder, Carole Nosella)<\/em><\/p>\n

Thursday, June 17 (5 p.m. to 7 p.m. – Paris time)
\nLourdes Monterrubio. The sensation in the film-essay: filming it, creating it, reflecting it<\/em><\/p>\n

Thursday, June 24 (5 p.m. to 7 p.m. – Paris time)
\nBarbara Foug\u00e8re. Making the experience of deafness sensitive<\/em><\/p>\n

Thursday July 1 (5 p.m. to 7 p.m. – Paris time)
\nMarisa Hayes. Sensitive somatic camera: widening the choreographic and perceptive field<\/em><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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ZOOM-S\u00e9minaire de l\u2019\u00e9quipe Cin\u00e9ma de l\u2019Institut ACTE<\/p>\n

Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne \u2013 \u00c9cole des arts de la Sorbonne
\u00c9cole doctorale Arts Plastiques, Esth\u00e9tique et Sciences de l\u2019art<\/p>\n

sous la direction de<\/span>
Dominique CHATEAU, Professeur \u00e9m\u00e9rite \u00e0 l\u2019Universit\u00e9 Paris 1
et Jos\u00e9 MOURE, Professeur \u00e0 l\u2019Universit\u00e9 Paris 1, Directeur de l\u2019Institut ACTE<\/p>\n

co-organisation\u00a0<\/span>
Universit\u00e9 de Groningen, Pays-Bas (Annie VAN DEN OEVER)
Universit\u00e9 Laval \u00e0 Qu\u00e9bec (Jean-Pierre SIROIS-TRAHAN)<\/p>\n

avec le soutien de<\/span>
Retiina International (Fran\u00e7ois SOULAGES, Professeur \u00e0 l\u2019Universit\u00e9 Paris VIII)
Center for Practical Philosophy Stasis (Yoel REGEV, Professeur \u00e0 l\u2019Universit\u00e9 Europ\u00e9enne de Saint-P\u00e9tersbourg)
Regards Hybrides (Priscilla GUY, artiste, chercheuse et commissaire, Montr\u00e9al)
Association\/revue \u00c0 bras le corps (Rodolphe OLCESE, Ma\u00eetre de conf\u00e9rences, Universit\u00e9 Jean Monnet Saint-\u00c9tienne)
Rep\u00e8res. Cahier de danse, \u00e9dit\u00e9 par La Briqueterie (Marisa HAYES, Centre de D\u00e9veloppement Chor\u00e9graphique National du Val-de-Marne)<\/p>\n

4 axes du s\u00e9minaire
<\/strong><\/span>1. Analyses filmiques (Film analysis), sous la responsabilit\u00e9 de Sarah LEPERCHEY, Ma\u00eetre de conf\u00e9rence \u00e0 l\u2019Universit\u00e9 Paris 1, et Jos\u00e9 MOURE.
2. Les premiers temps du cin\u00e9ma (The early days of cinema), sous la responsabilit\u00e9 de Jean-Pierre SIROISTRAHAN, Professeur \u00e0 l\u2019Universit\u00e9 Laval.
3. Technesth\u00e9sique (Technesthesics), sous la responsabilit\u00e9 d\u2019Annie VAN DEN OEVER, Professeure \u00e0 l\u2019Universit\u00e9 de Groningen.
4. Film-performance, cin\u00e9-danse et autres relations interm\u00e9diales (Film-performance, film-dance and other intermedia relations), sous la responsabilit\u00e9 d\u2019Anatoli VLASSOV, artiste, doctorant en arts plastiques, membre de l\u2019\u00e9quipe Arts & Flux de l\u2019Institut ACTE.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

“Filming the Sensation” seminar Invited by Anatoli Vlassov, Priscilla Guy will be part of the Filming the Sensation webinar organized by the Cinema team of the ACTE Institute (Sorbonne School of the Arts). She will present the segment \u201cDeformation of bodies and reinvention of sensations through choreographic editing practices\u201d. Don’t miss it Thursday, June 3 […]<\/p>\n","protected":false},"author":3,"featured_media":3742,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[],"tags":[],"_links":{"self":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/3768"}],"collection":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/comments?post=3768"}],"version-history":[{"count":2,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/3768\/revisions"}],"predecessor-version":[{"id":3773,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/3768\/revisions\/3773"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/media\/3742"}],"wp:attachment":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/media?parent=3768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/categories?post=3768"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/tags?post=3768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}