{"id":4688,"date":"2022-05-30T15:36:55","date_gmt":"2022-05-30T19:36:55","guid":{"rendered":"https:\/\/www.regardshybrides.com\/10th-anniversary-of-regards-hybrides\/"},"modified":"2022-06-09T09:01:55","modified_gmt":"2022-06-09T13:01:55","slug":"10th-anniversary-of-regards-hybrides","status":"publish","type":"post","link":"https:\/\/www.regardshybrides.com\/en\/10th-anniversary-of-regards-hybrides\/","title":{"rendered":"10th anniversary screendance program"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-post\" data-elementor-id=\"4688\" class=\"elementor elementor-4688 elementor-4527\" data-elementor-post-type=\"post\">\n\t\t\t\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4e01b82 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4e01b82\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-91703ca\" data-id=\"91703ca\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-82bd177 elementor-widget elementor-widget-heading\" data-id=\"82bd177\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-xl\">The broadcast is now over. Thank you for attending!<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-ddb6a6a elementor-widget elementor-widget-spacer\" data-id=\"ddb6a6a\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d373924 elementor-widget elementor-widget-heading\" data-id=\"d373924\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">A program of 8 short films to celebrate the 10th anniversary of Regards Hybrides!<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7e2173c elementor-widget elementor-widget-text-editor\" data-id=\"7e2173c\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><strong>Regards Hybrides is celebrating its 10th anniversary this month!\u00a0<\/strong>What started out as a simple web platform to support the articulation and development of screendance has become, over time, a true protean project: with an annual nomadic\u00a0<a href=\"https:\/\/www.regardshybrides.com\/en\/programming\/\">broadcasting program<\/a>, an offer of professional\u00a0<a href=\"https:\/\/www.regardshybrides.com\/en\/services\/\">services<\/a>, classes, an\u00a0<a href=\"https:\/\/www.regardshybrides.com\/en\/international-forum\/2019-edition\/\">gathering-event<\/a>\u00a0of international scope and of course the deployment of the precious\u00a0<a href=\"https:\/\/www.regardshybrides.com\/en\/resources\/\">resource platform<\/a> at its origin, Regards Hybrides is a unique project that does not run out of steam! <strong>For the occasion, 8 international short films are offered for free viewing from June 1 to 8. <\/strong><strong>Read the full <a href=\"https:\/\/www.regardshybrides.com\/en\/pressrelease-10years\/\" target=\"_blank\" rel=\"noopener\">press release. &gt;&gt;&gt;<\/a><\/strong><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f992fd1 elementor-widget elementor-widget-video\" data-id=\"f992fd1\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/714155990?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-459f75d elementor-widget elementor-widget-spacer\" data-id=\"459f75d\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0d4ba96 elementor-widget elementor-widget-text-editor\" data-id=\"0d4ba96\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>In addition, we invite you to listen to the episode \u00ab<span style=\"text-decoration: underline;\"><a href=\"https:\/\/open.spotify.com\/episode\/6RC0bqUchkOCn9cEVCty6s?si=MCQ8w-UiR06bvLIvARMsbA&amp;dl_branch=1\">Lorsque le cin\u00e9ma et la danse entament un pas de deux<\/a><\/span>\u00bb (FR) from <a href=\"https:\/\/ocq.umontreal.ca\/le-balado-camera-lucida\/\">Camera Lucida<\/a> podcast (produced by L\u2019Observatoire du cin\u00e9ma au Qu\u00e9bec), in which Priscilla Guy gives an update on Regards Hybrides, before engaging in a fascinating discussion on dance and film with Louise Lecavalier!<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-f8de56b elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"f8de56b\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-1efc4fa\" data-id=\"1efc4fa\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t\t\t<div class=\"elementor-element elementor-element-467dfa3 elementor-widget elementor-widget-spacer\" data-id=\"467dfa3\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-956076e elementor-widget elementor-widget-heading\" data-id=\"956076e\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h1 class=\"elementor-heading-title elementor-size-default\">Watch the 8 films picked specially by Priscilla Guy :<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-82c52e6 elementor-widget elementor-widget-spacer\" data-id=\"82c52e6\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-512576a elementor-widget elementor-widget-heading\" data-id=\"512576a\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abKaduna\u00bb - Jacob Jonas, Ridwan Adeniyi & Vinson Fraley | Nigeria & United States, 2021<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dba7954 elementor-widget elementor-widget-video\" data-id=\"dba7954\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/711802548?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0f1cdf2 elementor-widget elementor-widget-text-editor\" data-id=\"0f1cdf2\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>A movement born out of migration and distance\u2014out of likeness and difference. In this mutually birthed language we seek to obliterate the illusion that we are separate from each other and the environment that holds us together. We are no bigger or smaller. We are a brotherhood. A kinship.<\/em><\/p>\n<p>Self-taught dancers and brothers Victory and Marvel Ebinum explore familial bonds against the landscape of their native Nigeria. With original choreography by New York City-based Vinson Fraley, Kaduna features an original score by Los Angeles-based composer Anibal Sandoval, and is co-directed by Ridwan Adeniyi, member of the Nigeria-based Critics Company, and Jacob Jonas.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5188578 elementor-widget elementor-widget-spacer\" data-id=\"5188578\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-affe4bf elementor-widget elementor-widget-heading\" data-id=\"affe4bf\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abLe ballon de l'amiti\u00e9\u00bb - Liane Th\u00e9riault, Karenne Gravel & Emmalie Ruest (Dans son salon) | Canada, 2014<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-5ef26b6 elementor-widget elementor-widget-video\" data-id=\"5ef26b6\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/375992433?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-12c2170 elementor-widget elementor-widget-text-editor\" data-id=\"12c2170\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>&#8220;Le ballon de l&#8217;amiti\u00e9&#8221; plunges us into the world of two fragile beings where shared moments are played out and replayed behind closed doors. The two women seek to fill the void that occupies their daily lives, to give meaning to the presence of the other and to the memory of an experience. Little by little, the audience witnesses the evolution of the relationship of the two characters through the changing nature of their interactions. Moments of tension suggesting conflict are contrasted with moments of complicity evoking trust and play.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-84097a9 elementor-widget elementor-widget-spacer\" data-id=\"84097a9\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a7efc39 elementor-widget elementor-widget-heading\" data-id=\"a7efc39\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abThere is a Place\u00bb - Katrina McPherson, Sang Jijia & Simon Fildes | UK & China, 2010<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-60e9e7d elementor-widget elementor-widget-video\" data-id=\"60e9e7d\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/711735753?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8685cf3 elementor-widget elementor-widget-text-editor\" data-id=\"8685cf3\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>There is a Place<\/em>\u00a0is video dance by Sang Jijia, Katrina McPherson and Simon Fildes. The film won Jury Prize for Best Screendance at San Francisco Dance Film Festival in 2011, with many international subsequent screenings, including in Amsterdam, Hong Kong, Utah &amp; Buenos Aires.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-9c0bae8 elementor-widget elementor-widget-spacer\" data-id=\"9c0bae8\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-454f897 elementor-widget elementor-widget-heading\" data-id=\"454f897\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abPrivate I\u2019s\u00bb - Dana Ruttenberg & Oren Shkedy | Israel, 2012<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-f0b3ee4 elementor-widget elementor-widget-video\" data-id=\"f0b3ee4\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/713289819?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=0&amp;portrait=0&amp;byline=0#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0e73a20 elementor-widget elementor-widget-text-editor\" data-id=\"0e73a20\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><span style=\"font-weight: 400;\"><em>Private I&#8217;s<\/em> follows the construction, eruption, corruption and destruction of the masculine self and other. It investigates the boundaries of masculinity, and the forces that operate on the body, while borrowing from different cultures and modalities.\u00a0 The movement language can be traced to traditional forms and concepts integral to martial arts. It translates it into a contemporary individualized expression in different ways, while counterbalancing it with the mundane \u201cevery day\u201d gestures of male bonding.<\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-339b46f elementor-widget elementor-widget-spacer\" data-id=\"339b46f\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a6a1fba elementor-widget elementor-widget-heading\" data-id=\"a6a1fba\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abLandscape\u00bb - Terrance Houle | Canada, 2007<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d0e2157 elementor-widget elementor-widget-video\" data-id=\"d0e2157\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/711795489?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-a5af2ea elementor-widget elementor-widget-text-editor\" data-id=\"a5af2ea\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>A short performance art work, shot on super 8 film, <em>Landscape<\/em> tells a story of a First<br \/>\nNations man being chased by an unknown entity, and to finally meet his fate in the<br \/>\nlandscape of his people. This short is inspired by photos works by the artist. Landscape were the artist meets the land and tells a story of history, place and time.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-8ce8c75 elementor-widget elementor-widget-spacer\" data-id=\"8ce8c75\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-28e3d51 elementor-widget elementor-widget-heading\" data-id=\"28e3d51\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abSUPERMAMBO\u00bb - Benito Gonz\u00e1lez | Mexico, 2002<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-2599b79 elementor-widget elementor-widget-video\" data-id=\"2599b79\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/711782887?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-797e9de elementor-widget elementor-widget-text-editor\" data-id=\"797e9de\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p>Made almost entirely of still images, this film plays with the concept of stop-motion and rhythmic repetition to create a danced alternative music video for the song \u201cSupermambo\u201d by the argentine rock band La Portuaria. Over the years, the video has served to promote the Quiatora Monorriel dance group, since its directors (Evo\u00e9 Sotelo and Benito Gonz\u00e1lez) are the ones who appear on screen.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-fcd4463 elementor-widget elementor-widget-spacer\" data-id=\"fcd4463\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7704a45 elementor-widget elementor-widget-heading\" data-id=\"7704a45\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abSeparate Sentences\u00bb - Amie Dowling, Reggie Daniels & Austin Forbord | United States, 2016<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-1284930 elementor-widget elementor-widget-video\" data-id=\"1284930\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/509057182?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-0298595 elementor-widget elementor-widget-text-editor\" data-id=\"0298595\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Separate Sentences<\/em>\u00a0is a dance\/theater film that draws upon individual experiences and physical memories of San Francisco Bay Area artists, some of who are formerly incarcerated fathers and their sons. The film is an exploration of incarceration not as a single or discrete event but a dynamic process of inequity that unfolds over time, affecting families for generations. It is a testimony to the leadership of system impacted artists, scholars, and community organizers who are at the forefront of dismantling the carceral state.\u00a0<span style=\"color: #0000ff;\"><a href=\"https:\/\/drive.google.com\/file\/d\/1mu7OWKL09tmBft3Gm2dOCHF-qyOOi3QI\/view?usp=sharing\">Read the production team\u2019s note, about their constantly evolving reflection on the subject. &gt;&gt;&gt;<\/a><\/span><\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e93784b elementor-widget elementor-widget-spacer\" data-id=\"e93784b\" data-element_type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-d89ed76 elementor-widget elementor-widget-heading\" data-id=\"d89ed76\" data-element_type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\">\u00abLay me low\u00bb - Marlene Millar & Sandy Silva | Canada, 2015<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-7009c37 elementor-widget elementor-widget-video\" data-id=\"7009c37\" data-element_type=\"widget\" data-settings=\"{&quot;video_type&quot;:&quot;vimeo&quot;}\" data-widget_type=\"video.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t<div class=\"elementor-wrapper elementor-open-inline\">\n\t\t\t<iframe class=\"elementor-video-iframe\" allowfullscreen title=\"vimeo Video Player\" src=\"https:\/\/player.vimeo.com\/video\/711796233?color&amp;autopause=0&amp;loop=0&amp;muted=0&amp;title=1&amp;portrait=1&amp;byline=1#t=\"><\/iframe>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-e47cceb elementor-widget elementor-widget-text-editor\" data-id=\"e47cceb\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t\t\t\t\t<p><em>Lay me Low<\/em> opens a communal space of experience through mourning by bringing people together in song and movement: individual voices are woven together to make one song, steps are taken in rhythm to make one walk. <em>Lay me low<\/em> is a traditional Shaker song performed by 10 dancers, musicians and singers and it cuts right to the heart to communicate a universal feeling of loss while evoking a paradoxical sense of intimacy.<\/p>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>The broadcast is now over. Thank you for attending! A program of 8 short films to celebrate the 10th anniversary of Regards Hybrides! Regards Hybrides is celebrating its 10th anniversary this month!\u00a0What started out as a simple web platform to support the articulation and development of screendance has become, over time, a true protean project: [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":4701,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[44,50],"tags":[],"_links":{"self":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/4688"}],"collection":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/comments?post=4688"}],"version-history":[{"count":7,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/4688\/revisions"}],"predecessor-version":[{"id":4807,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/posts\/4688\/revisions\/4807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/media\/4701"}],"wp:attachment":[{"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/media?parent=4688"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/categories?post=4688"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.regardshybrides.com\/en\/wp-json\/wp\/v2\/tags?post=4688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}